Kura House - Fujiyoshida Japan - September 26th, 2026
Kura House - Fujiyoshida Japan - September 26th, 2026
And The Sky Is Blue
Nina Spade · Fujiyoshida, Japan · 2026
A digest that explores the themes of gravity and levity of human connection: what draws us together. What pushes us apart.
Moving between illumination and obscurity, the exhibition examines the vacuum between how we present ourselves, what we carry privately, and our methods of movement in these phenomenons. Through symbolism, vessel archetypes, and a subjective mythopia, the works consider what we absorb from others, what we transform and if most of us struggle to reach an ataraxia simply because we let it pass us by.
Viewed through a personal queer lens, the collection also questions the conventions and unspoken heteronormative expectations that shape or bend our morale, duty, identity, joy, and belonging. It interrogates these experiences by pointing out the obvious constellation of our interactions, occasionally celebrating the light bodies and love that sustain us.
Amid these contradictions, the exhibition invites us to reconsider our endless creation of, and search for ‘gravity’, and what we overlook while caught in the pull. In our pursuit of ataraxia, how are we unable to leave the orbit of akrasia? Can the suspension of naratives—epoché—allow us to recognize the patterns that keep us tethered?
What planets receive light? Which remains dark?
And The Sky Is Blue is rooted in an inquiry into the peculiar ways human beings organize their lives around longing, expectation, and the desire to be understood. Beneath a peppering of playful visual vocabulary lies a consideration of the psychological and moral architectures through which we assign significance to one another often mistaking familiarity for understanding, sacrifice for virtue, or emotional intensity for profundity.
Drawing upon existential philosophy, queer perspectives, and the absurdities of social convention, the exhibition considers the distance between experience and interpretation: how private realities become entangled with collective assumptions, and how readily our understanding of ourselves is altered by the narratives we pick and chose.
There is also a quieter proposition at work: that serenity may be less a destination than a faculty of attention, cultivated through the recognition of life's ordinary pleasures and fleeting moments of clarity.
Who are the custodians of these luminary moments and how are we built so we might otherwise askew our orientation away from them and towards ages of adrenalizing and familiar umbra?
Neither cynical nor idealistic, the exhibition approaches human behaviour and love with curiosity, irreverence, and a certain philosophical tenderness. It does not suggests that the art of living may depend not upon reconciling every contradiction… but upon discovering what warrant our devotion, and which we might finally allow to remain unanswered.
WITH THANKS
Kura House, Fujiyoshida Japan
Yuta Sugihara
[M] Dudeck
Chloe Chafe
Brandon Michael
Izumi Kobayashi

